Senior Product Designer · AI-Native Practitioner
Part designer, part AI builder. I ship full-stack products end to end: design, code, and the agents in between.
Most software feels like a watch with the back off: gears, springs, and ten years of decisions spilling out at you. That friction quietly kills products before they matter.
I work on the face of the watch, making the engineering disappear so only what you need to read is left. Technology and creativity keep me in it; with AI in the mix, creating has never felt more alive.
In-house HR and people operations platform that retired a per-employee subscription. Designed and built solo in two weeks, live June 2026. Since launch it has added payroll and Form 16, offer and HR letters, performance reviews, team chat with calls, and a travel approval chain.
Read case studyBRENMAN's learning and editorial platform for AEC professionals: two programs, video streaming, Razorpay checkout, certificates, an admin CMS, and the Bridging Room publication. First version live in 20 days; now ~79K lines across 1,100+ commits, built with Claude Code.
Read case studyAI-native money companion for Indian households, built solo from zero to Google Play and the web. One net worth for everything you and your partner own, read from your own statements and checked before it is saved. Launched on Product Hunt in October 2026.
Read case studyChannel Partner Portal for a large wealth distribution network. Redesigned onboarding and engagement flows to lift signup-to-active conversion.
Read case studyRebuilt the core client reporting platform: IA, data viz, and workflows for RMs serving UHNI and family office clients.
Read case studyUnified design system: tokens, components, patterns. Built from zero and scaled across four product lines to speed handoff and hold the bar.
See it liveI edit video for BRENMAN and for Reva: course trailers, full course tracks, long-form podcasts, short documentaries, and vertical reels. I cut in DaVinci Resolve, wrote my own tool for the first multicam pass, and design the thumbnails and social posts that go with each release.
Read how I edit
A 79-minute episode with Dr. Manoj Verman on Silkyara, tunnel-boring machines, and an undersea tunnel for the Mumbai-Ahmedabad bullet train. The edit, teaser, 35 chapters, and visuals took one day. Comparable episodes used to take three to four days, or ₹50,000 to outsource.
Claude Opus 5.5 read the transcript to suggest cuts and teaser moments, and helped me find openly licensed images and track their credits. Where real footage didn't exist, I used AI-generated clips and said so in the description. I watched the full episode and made every final call.
A documentary series I created for Reva about the money habits Indian families never explain out loud. The Locker, on gold, is out now. The Flat, on property, premieres October 27 and The FD, on fixed deposits, November 2, with Shorts in between.
Every figure on screen names its source (RBI, SEBI, AMFI, CBDT, or the World Gold Council) and the date it was published. Each film is finished in 4K with 3D shots and its own sound design.
The tunnel collapse in Silkyara was more than what we saw
How do we build tunnels in the Himalayas?
Steel vs nature
4 mistakes young engineers make
India’s data centre subsidy isn’t what you think
Ghatkopar’s ₹350-crore bridge is being redesigned
A tool I wrote for the first multicam pass. It syncs three cameras to the mics by matching waveforms, tracks who is speaking every 10 ms, and plans the cuts. On a two-hour, three-camera 4K episode it kept the speaker on screen about 89% of the time, at 6.5 cuts a minute.
Launch trailer for BRENMAN's Construction Law program with Advocate Meenal Garg. 29 versions in six days to a 2:47 4K master, plus a vertical cut and a 40-second Short.
29 long-form clips cut from Bridging Room episodes, each with a two-line hook thumbnail, and 13 vertical reels in October alone on Silkyara, the bullet train, data centre policy, and more.
User interviews, journey mapping, and IA, based on evidence from users, operators, and stakeholders.
Production React, TypeScript, and Tailwind alongside Figma, so the shipped pixels match the design intent.
Layout, typography, color, and hierarchy. Interfaces that stay out of the user's way.
Motion systems, transitions, and micro-interactions, the small details that build trust.
Shipping production software every week with Claude Code, Cursor, and Figma AI. Designing conversational assistants and AI video workflows end to end.
Built a design function from zero: hired, mentored, and set the craft bar across four product lines.
"Revanth has been a bright spark in our Digital Team with his creativity and eye for detail when designing. He closely thinks of UX and keeps himself abreast of all latest ideas. It has been a pleasure working with him closely on multiple UI / UX initiatives."
"Revanth (Sai) is a fantastic individual to work with. We worked together on a project and he put in 120% efforts for his activities to go above and beyond any expectations set for him. Look forward to seeing his progress in his chosen arena."
"Revanth is a brilliant guy to work with. He leads the design team and is my manager. He understands both user needs and business objectives well. Revanth is very collaborative with developers, PMs and other stakeholders. His user-centric approach has helped me significantly in navigating towards the right direction and deliver tasks efficiently in a timely manner."
